Two suicidal teenagers, Conrad and Michelle, turn to each other for support, communicating via text messages. But when Conrad expresses his desire to end his life, instead of trying to stop him as she had previously, Michelle encourages Conrad to take his life, even providing him suggestions on how to do it.

Hey, Boo explores the life of reclusive author Nelle Harper Lee, shedding light on the context and history of her Pulitzer Prize-winning novel To Kill a Mockingbird.

Attorney Benjamin Stills is nearly sentenced to prison and finds faith in God after killing a teenage girl in an accidental car crash from texting while driving.

Six friends receive a mysterious chain letter via text messaging and in their email accounts from a maniac who’s hunting down teenagers who fail to forward his online chain letter. Who knew they should take the threats in the chain letter seriously? Or that chain letters using the teens’ favorite technologies to track them can kill? This maniacal game pits friend against friend as they race to beat rules that seem impossible to escape. Break the chain, lose a life. Do you pass it on? Does friendship mean anything?

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

Madrid, summer 2011. Economic crisis. 15-M movement and 1.5 million pilgrims waiting for the Pope’s arrival live side by side in a Madrid that’s hotter and more chaotic than ever. In this context, detectives Velarde and Alfaro must find what seems to be a serial killer. Their against-the-clock hunt will make them realise something they’d never imagined: neither of them are so very different from the killer.

Japanese schoolgirl Sakura (Higarino) has her idyllic small-town life turned inside-out when the local males start savagely killing the females. Armed with only her kyudo bow for protection and an English textbook for comfort, Sakura journeys through an apocalyptic world of mayhem. As trauma from witnessing the violent deaths of friends and family drives her toward madness, Sakura takes refuge in an animated dreamworld where she meets Billy (Mackenzie), a character from her English text! Billy helps her survive murderous zombies, as well as an even more formidable foe in Aoi (Tsujimoto), as she races to find real-world Billy and answers to the questions: Why is all this happening? And who or what is behind it?

Based on a true story, James Coburn portrays a military lawyer assigned to defend a confessed psychotic killer. Set in the context of WWII and the uneasy US-Australian military alliance. The accused killer claims to have killed 3 women in order to possess their voices. Despite the defense lawyer’s concerns that the killer is not fit to stand trial, the US military presses forward with the case and its desire to have the killer executed in order to strengthen the shaky alliance.